SoRen Sveistrup

  • Début octobre, dans la banlieue de Copenhague, la police découvre le cadavre d'une femme amputée d'une main. À côté du corps, un petit bonhomme fabriqué à partir de marrons et d'allumettes. Chargés de l'enquête, la jeune inspectrice Naia Thulin et l'inspecteur Mark Hess découvrent que cette figurine est porteuse de mystérieuses empreintes : celles de la fille de Rosa Hartung, ministre des Affaires sociales, enlevée un an plus tôt et présumée morte.
    Thulin et Hess explorent toutes les pistes qui leur révéleraient un lien entre la disparition de la fille de la ministre et la victime à la main coupée. Lorsqu'une autre femme est tuée, selon le même mode opératoire, ils comprennent que le cauchemar ne fait que commencer...

  • THE CHESTNUT MAN

    Soren Sveistrup

    • Penguin
    • 28 Août 2019

    'A full-throttle thriller in the tradition of classic Stieg Larsson, drenched in atmosphere and charged with adrenaline. Buckle up. You'll gulp down every word. I loved this book' A. J. Finn, author of The Woman In The Window THE DEBUT NOVEL FROM THE CREATOR AND WRITER OF HIT TV SHOW THE KILLING One blustery October morning in a quiet Copenhagen suburb, the police make a terrible discovery. A young woman is found brutally murdered with one of her hands missing. Above her hangs a small doll made of chestnuts. Ambitious young detective Naia Thulin is assigned the case. Her partner, Mark Hess, is a burned-out investigator who's just been kicked out of Europol. They soon discover a mysterious piece of evidence on the chestnut man - evidence connecting it to a girl who went missing a year earlier and is presumed dead; the daughter of politician Rosa Hartung. The man who confessed to her murder is behind bars and the case long since closed. Soon afterwards, a second woman is found murdered, along with another chestnut man. Thulin and Hess suspect that there's a connection between the Hartung case and the murdered women. But what is it? Thulin and Hess are racing against the clock, because it's clear that the killer is on a mission that is far from over . . . 'As in The Killing television series, Sveistrup offers lessons to seasoned practitioners of the serial-killer whodunit in how to inject new energy into this near-exhausted subgenre, and a reminder (via his portrayal of the families, homes and workplaces that his cops visit) that crimewriting has the potential to be eye-opening, panoramic social realism' Sunday Times ___________ Praise for The Killing 'Soren Sveistrup, is clearly a master craftsman' Telegraph 'TV of the absolute finest quality . . . the writing shines' Guardian 'Excellent . . . A shrewd mix of police procedural, political thriller and domestic drama' New York Times 'The most talked-about , boxset-friendly cultural landmarks of the 21st century to date' Independent

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